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  • Untitled, Autumn Abebrese. Click to enlarge.Metropolis #1, Sophie Bille Brahe. Click to enlarge.Untitled 1&2, Jonathan Boyd. Click to enlarge.Nipple Pinch, Maisie Broadhead. Click to enlarge.The Underground Diaries, Linda Brothwell. Click to enlarge.Close-up Samples, Tine De Ruysser. Click to enlarge.Steer Head Skull Brooch, Ali Forbes. Click to enlarge.Lots of Lucie, Lucie Gledhill. Click to enlarge.Untitled, Fraser Hamilton. Click to enlarge.Tired, Caren Hartley. Click to enlarge.Stephanie, Lucy Peacock. Click to enlarge.Vanitas II, Dionea Rocha Watt. Click to enlarge.Carborundum Camera Series, Michelle Shields. Click to enlarge.Only the Wild are Truly Free, Patrick Sieroslawski. Click to enlarge.Bathtub, Aliki Margarita Stroumpouli. Click to enlarge.A Moment in Time, Suzi Tibbetts. Click to enlarge.Shirt Hardware, Gediminas Vysniauskas. Click to enlarge.Salver Drawings, Max Warren. Click to enlarge.Winter Wonderland Wound Healer – Neck Piece, Lindsey Wendler. Click to enlarge.Pocket Pill Pomander in Skull Form, Leon Williams. Click to enlarge.Untitled, Miyo Yoshida. Click to enlarge.
  • SHOW 2009

    Goldsmithing, Silversmithing, Metalwork & Jewellery

  • We encourage students to creatively question, explore and develop work that addresses the shifts in the world of commodity objects. Our scope encompasses batch production to the unique hand-made artefact. An integrated approach bringing together ideas and intellectual exploration with the physical act of making, using high- and low-tech facilities within the design development process, offers students opportunities for invention and innovation not available to other ways of working.

    The Department’s philosophy is to place the critically and culturally aware applied artist and designer at the centre of the applied arts arena, creating objects and adornments that play a part in shaping our identities and the aesthetics of today.

    We expect students to challenge the norms and question conventions, interrogating the role and purpose of objects and adornment through the development of a personal approach to researching, experimenting, designing and making in the context of an increasingly complex object culture.

    Above all, we celebrate diversity and the magic of making stuff.