The work exhibited is the result of a collaborative doctoral award between the Royal College of Art and the Victoria and Albert Museum.

My research explores the interdisciplinary practice of screenprint production within the applied arts, specifically in the ceramic medium.

This practice-based enquiry has involved the development of a new system for integrating the printed image and ceramic form for the studio practitioner.

This knowledge has been combined with historical research involving an investigation into the complex, social configurations of screenprint production, in order to determine the importance of the role of ‘Interpretative Mediation’ within these configurations.