Recently, my practice has been concerned with exploring the possibilities offered to typographers by developments in technology, new media and the apparently limitless dimensions of the Internet. I am interested in challenging the universally accepted concept of a typeface as a static set of visual forms – a tradition born of obsolescent technologies – and investigating the notion of a typeface as a dynamic system that can be context-sensitive or thematically driven. I have developed a body of work that aims to explore the extent to which these new typographic methods can enhance communication.