My practice is based on a playful and intuitive approach to image making. I draw in two and three dimensions to re-interpret historical and contemporary materials, artefacts and craft processes.


By improvising techniques that allude to traditional craft skills, my recent drawings explore the narrative potential of the handmade. The traces left by a maker are open invitations to the imagination. Subjective interpretation enriches objective accounts, which are in essence open to speculation and inaccuracy. My practice explores this fluidity of interpretation, simultaneously reflecting upon the social history of craft and commenting on contemporary material culture.