My practice lies between animation, motion-graphics and photography. The themes in my work are based around the illusiveness of normality. I am interested in the inherent contradiction in the need to belong to a social structure, but being simultaneously repulsed by it. I create uncanny photomontages that seem real but are actually invented realities and feed off the tension and dissonance created by staging mundane moments in life.


My graduation film High Expectations focuses on society’s depiction of femininity in the context of family photography, and the gap between the idealised photograph and the reality it represents.