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  • The Itch, Vasilis Asimakopoulos. Click to enlarge.DKS.Co and The Danders of Mindless Institutional Compliance, 2010, Robert Bellman. Click to enlarge.Machine to Catch a Strip Light, Mark Davey. Click to enlarge.Lost Content, Dexter Dymoke. Click to enlarge.Altro, Carwyn Evans. Click to enlarge.Go to Google, Edward Fornieles. Click to enlarge.Vent, Brendan Giles. Click to enlarge.Untitled, Cindie Gottlieb Cheung. Click to enlarge.Untitled (from the Object Glossary series), Rebecca Griffiths. Click to enlarge.Movement Study #2 (The Iceberg), Mary Hurrell. Click to enlarge.A Structure to Make the Corner Right, Minae Kim. Click to enlarge.Title Withheld, 2010, Robert Lye. Click to enlarge.Untitled, Kalliopi Maiopoulou. Click to enlarge.Desktop, Benjamin Newton. Click to enlarge.Complexity Spirals, Charles Ogilvie. Click to enlarge.WaxWorks (Wax, oil paint and wood), Antigoni Pasidi, PhD. Click to enlarge.Untitled, Candida Powell-Williams. Click to enlarge.Untitled, David Pringle. Click to enlarge.TAKE CARE WHEN HANDLING, Simon Schäfer. Click to enlarge.My Discomfort is Evident But I Am Unsure of the Cause, Fiona Shaw. Click to enlarge.Untitled, Jackson Sprague. Click to enlarge.Restorer, Hania Stella-Sawicka. Click to enlarge.Wreath, Alexandra Strachan. Click to enlarge.Lego Ball, Samuel Williams. Click to enlarge.
  • Show RCA 2011

    Sculpture

  • The decision to become a student is not the same as becoming an artist. Both contain speculative activity, transactions of all kinds, steering around constraints and taking pleasure in risks. Art schools are ‘safe houses’ that provide laboratories for all this: an elaborate shared conversation, of lasting consequence.

    The climate in any school is created by its students, with a continuum of imaginative resourcefulness passed by sleight of hand. The general test of what goes on in this laboratory is conveyed by word of mouth, vigilance and the act of witnessing. The reciprocities of the conversation are held up to constant scrutiny. In times of force majeure, the language is stepped up: acts of God, civil commotion, acts of state, insurrection, embargo...


    The powers of self propulsion enjoyed by artists were always thought to provoke new thinking. But now, should the ‘houses’ prove less ‘safe’, the levels of shared invention and cultural ingenuity are expected to stretch higher than ever.


    Take a deep breath. You know you must. You can.