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  • Arrangement, Byung-hak Ahn. Click to enlarge.I AM THE CREATION OF YOUR IMAGINATION, Youness Benali. Click to enlarge.Can You Read Me?, Ji An Choi. Click to enlarge.Red Line, José Costa, PhD. Click to enlarge.If What I Hear Is True, Soumyak De Biswas. Click to enlarge.High Resonating Words, Blanche de Lasa. Click to enlarge.HEADS, Sandra de Matos. Click to enlarge.Have Flowers Lost Their Scent, Sonya Derman. Click to enlarge.Light Cast Traces, Amy Dickson. Click to enlarge.Cold Night (from The Recyclables book), Marta Długołecka. Click to enlarge.Red Tape 03, Our Future: Education and Creativity, Alex Dommett. Click to enlarge.Trev (from the Night Glare series), Thomas Dowse. Click to enlarge.Untitled, Charlie Duck. Click to enlarge.Pavement to Penthouse, Rafael Farias. Click to enlarge.Untitled (from the True North, Magnetic North, Grid North series), Anna Filipova. Click to enlarge.Starting Point I, Robert Fresson. Click to enlarge.Half of Me Is 87.5 cm, Dorota Halina Gaweda. Click to enlarge.A Map of Potters Bar, David Gibson. Click to enlarge.High Resonating Words, Stina Gromark. Click to enlarge.AM PM, Sin Yee Hau. Click to enlarge.Recovered 7 (from the Recovered series), Fabienne Hess. Click to enlarge.Future Without PSW, Min Huh. Click to enlarge.Problems of Protest, Deniz Johns. Click to enlarge.Epinode Project, Burn Kim. Click to enlarge.They Return, Hyewon Lee. Click to enlarge.Where Does the Mind Stop and the Rest of the World Begin?, Markus Lehtonen. Click to enlarge.Sketchbook, Rachel Lillie. Click to enlarge.Alternative Currencies, Livia Lima. Click to enlarge.Fan Holding Shelf, Thomas McCaughan. Click to enlarge.The Stonemasons, Alexander McInnes. Click to enlarge.Untitled, Deshna Mehta. Click to enlarge.Untitled, Tom Merrell. Click to enlarge.Untitled (from the Halfway to White series), Joséphine Michel, MPhil. Click to enlarge.Prussian Blue #1 (from the Prussian Blue series), Ronit Mirsky. Click to enlarge.Le Depot, Damien Monteau. Click to enlarge.Lost Sperm. Click to view the movie.Nothing New, Wai Ming Ng. Click to enlarge.Untitled, Catherine Osterberg. Click to enlarge.From the Belonging Nowhere Now Here series, Pedro Pina. Click to enlarge.Skype Call, Karolina Raczynski. Click to enlarge.Fruit Punch (1,2; from the Fruit Punch series), Patric Sandri. Click to enlarge.Thinking Faces, Sebastian Schmidt. Click to enlarge.Untitled (from the Visions series), Laura Scott. Click to enlarge.From the It’s Not Enough But We Love It series, Florence Shaw. Click to enlarge.Untitled. Click to view the movie.Gang Boxers (prototype), Dylan Spencer-Davidson. Click to enlarge.Archetype 2.0, Susanne Stahl. Click to enlarge.Universe 4, Natalka Liber Stephenson. Click to enlarge.Flo and Soph Hanging Out as Deers in Miwon’s Bedroom, Federico Strate Pezdirc. Click to enlarge.The Chief S03E06 (script in collaboration with Andrew Lister), Matthew Stuart. Click to enlarge.Typing Your Emotion, Jiyeun Sung. Click to enlarge.Performance Stills, Sophie Taylor. Click to enlarge.Untitled. Click to view the movie.Entrance to B Block Dining Hall, Lucy Vann. Click to enlarge.Waiting for Google, Stuart White. Click to enlarge.Changed & Unchanged, Duan Xu. Click to enlarge.Endless Theatre. Click to view the movie.
  • Show RCA 2012

    Visual Communication

  • In this unprecedented time of major change and new challenges, we have been thrown into the centre of an exciting vortex and have to grab the immense potential at hand. 


    Ensuring that our students are on the front edge of the new disciplines that will evolve in visual communication means considering new technologies alongside traditional ones, understanding the changed relationship between the designer and society, and moving along a line between making things and making thought. From a Utopian point of view, we are here to help define and build a better world through the development of skilled, aware, creative minds and appropriate action.


    Students and staff in Visual Communication today work alongside each other in an enormous number of disciplines – photography, film, video, text, paint, sound, wood-block type, print, environment and digital. Ideas and creativity are our main medium, and visual intelligence, thoughtfulness and playfulness are the tools of our trade. The role of a communication designer or artist today is no longer limited to a single discipline or linear career path. What is required now is a breadth of skills and personal qualities: the ability to be fluent in a wide range of technical skills and of thinking-through-making backed by rigorous self-criticism; an informed awareness of context and audience; the ability to work collaboratively as well as independently; and above all an idealistic commitment to improve whichever field of the cultural environment they choose to work in. With the accent on individual development within a vibrant and supportive working community, we move from pragmatism to surprise, from easy to difficult, and from innovation to mind-bending.