•  

     

  • Content within this section...
  • Vase #44 Concept. Click to view.Paper Ex Votos, Romituzzo Sanctuary, Poggibonsi, Siena. Click to view.Hunt Coat, 1810–20. Click to view.Bedspread, Rachel Kay-Shuttleworth. Click to enlarge.The Domestic Information Machine, E Bogdanov, V Paperny, V Revzin, A Riabushin and... Click to enlarge.Mah-Jong, 1967. Click to view.Arabesque Print from the Esemplario Nuovo, Printed in Venice, Giovanni Antonio Tag... Click to enlarge.Sealed Patterns for a Swedish Soldier’s Uniform, Model 1756. Click to view.Make-shift Dressing Table, Old Holloway Prison. Click to view.Welsh Quilting Exhibition Held at St Fagans: Welsh Folk Museum, 1951. Click to view.Label for 3D Foam Rubber Bra by Splendour Form. Click to view.Sign-in-Environment. Click to view.Gustaf Zander’s Passive Abdominal Exerciser, c. 1892. Click to view.Loving Cup. Click to view.Fish Almanac for the Year 1568, Switzerland. Click to view.Untitled. Click to view.An Unusual Christmas Cake, from Mitsukoshi. Click to view.Examples of Braids and Letter Braid from The Nun’s Book, Directions for Weaving Wa... Click to view.Second Act Where Hell Was Seen Taking Arms to Avenge Circe Against Tirreno, Jacque... Click to enlarge.Lakshmi Cracker Labels. Click to view.Promotional Art for Final Fantasy VII. Click to view.The Gift of Kee Wah. Click to view.Plaster Cast of Trajan’s Column, Victoria and Albert Museum. Click to view.Toolroom, Westley Engineering, Birmingham. Click to view.
  • Show RCA 2012

    History of Design

  • The programme offers a unique opportunity to study the history of design and material culture in the context of both the high level of design practice undertaken by students at the RCA and the superb collections of the V&A Museum. As you will see, this year’s graduating students have brought an impressive breadth and distinctiveness to the study of design history.

    Students approach the history of design both through its objects and its contexts – social, cultural, economic, political, technical and aesthetic. We offer three specialist pathways within the course: Renaissance (1400–1650); Asian (1450–now) and Modern (1650–now). Our aim is to improve the quality of research and debate surrounding design and its practice, and to extend historical enquiry to include the objects and processes of design as a form of primary source material.