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  • Peely Wally, Steven Allan. Click to enlarge.Untitled (detail), Frank Ammerlaan. Click to enlarge.My Time Is Your Time, Christian Camacho Reynoso. Click to enlarge.Studio Installation, Ayan Farah. Click to enlarge.The Young Neo-Liberal, Grant Foster. Click to enlarge.You Were Always on My Mind, Simon Foxall. Click to enlarge.Quintessence, Nina Garstang. Click to enlarge.Paths of Creativity No. 5 (After Borys Kosarev), Mathis Gasser. Click to enlarge.Many More Bollocks Than Men, Julia Hayes. Click to enlarge.Untitled, Sachin Kaeley. Click to enlarge.I think think, Suki Seokyeong Kang. Click to enlarge.Tropical Dream 5, Sui Kim. Click to enlarge.Untitled, Matthew La Croix. Click to enlarge.Smorgas Simultaneous, George Little. Click to enlarge.Mountains, Andrea Magenheimer. Click to enlarge.Rack Study, France-Lise McGurn. Click to enlarge.Ryan With His First Ever Fish on His First Ever Cast, Edward Morgan. Click to enlarge.This is how I aim to spend my time, Oscar Murillo. Click to enlarge.La Jalouse, Nick Nowicki. Click to enlarge.Blue Period, Ikuyo Omura. Click to enlarge.Somewhere to Work Watermelon Head, Jamie Partridge. Click to enlarge.Untitled Screengrab from That Is What I Mean by Rapport, Eve Peasnall, PhD. Click to enlarge.To What End, Marianne Spurr. Click to enlarge.KONG, Yue Teng. Click to enlarge.Fortuna, Stephanie Theobald. Click to enlarge.Levels of Resistance, Sarah Tynan. Click to enlarge.Massed, Kate Warner. Click to enlarge.Untitled. Click to view the movie.
  • Show RCA 2012

    Painting

  • The Painting studios here in Battersea play host to an incredibly broad range of artists, all immersed in their own particular take on the possibilities of painting. 


    Visitors to the studios this year were able to recognise the cultural and historical stables such as landscape, portraiture and still life, which are being revisited, sampled and exploded employing the visual currencies of realism, abstraction, gestural urgency and systematic process, alongside works created through obsessive engagement, tentative reworking and others punched out with economic confidence. 


    In our artists we can witness these tendencies taking a clear position, alongside studio practices that are engaged in taking everything apart. While living together, our community of painters, makers and writers generates a visual culture that cross-fertilises creating hybrids, engaging mutations and new forms of expression, utilising film, photography and sculptural works.


    It is so rewarding to work among the energy and the high level of exploration and ambition that our artists generate, modify, erase and redo on a daily basis. This culture continues to be enriched through the generosity of our visiting practitioners, along with recent collaborations and exchange programmes with artists working with us from New York, Chicago and Sydney, as well as collaborations with students from Goldsmiths College and the Royal Academy Schools.