Tahmina Negmat

Tahmina's research explores themes related to immigration, intergenerational trauma, and the complex interplay of political, and cultural aspirations in the context of abandonment. These themes, whether stemming from parental neglect, governmental policies, or even the loss of hope itself, form the core of her research. By examining the human experience within cultural biases, her work draws connections between how immigrants are perceived in the West and the concept of the Uncanny Valley. This exploration raises questions about how society's biases impact human experiences and identities.

Her practice merges painting with ceramics, and integrating historical contexts. She utilises materials like felt and furs sourced from the Soviet era, fostering a tactile engagement that underscores her thematic explorations and signifies the state of being lost in the dark. 

Topics of occultism, mysticism, and demonology appear throughout her expansive landscapes, reflecting the uncertain nature of our times. The paintings incorporate disparate symbols to convey a sense of confusion in personal and ideological contexts, while also addressing the global fall of empires.

Over the next two years, her focus will delve into topics including the Bolshevik victory vis-à-vis the Decembrists' failure, and the ideological betrayals surrounding the October Revolution, through figures like Vladimir Mayakovsky.