Key details
Location
- External (UK)
-
Art in the Docks, 25 Shackleton Way, London, E16 2XJ
Price
- Free
Who could attend
- Everyone
Type
- Exhibition
A showcase featuring works by Royal College of Art students, 'Out of Reach: The Enigma of Consciousness' is set to enthral viewers with a mesmerising journey through the intricate realms of the mind.
Hosted at Art in the Docks Gallery from 11 April to 20 April 2024, this exhibition serves as a portal to the recesses of human consciousness, where memory and unconsciousness often appear as elusive strangers. Through a blend of artistic expression, each piece becomes a mirror reflecting the complexities of human consciousness, challenging viewers to contemplate the essence of being.
The exhibition features an array of events, including a live performance during the Private View on Thursday 11 April. Additionally, visitors are invited to engage with the artists and curators in a thought-provoking conversation on Thursday 18 April.
Embark on a transformative journey through the enigmatic landscapes of the mind, where creativity illuminates the essence of existence. Margot Wilson’s exploration of breath’s role in material elevation intertwines with Victor Guerin’s structures series in 3D printed ceramic, inviting viewers to contemplate the intricate connections between consciousness and the environment. Ningyue Qian’s 'Cooking' installation serves as a poignant commentary on human migration and power dynamics, delving into the social organization and cultural identity surrounding food. Jaewook Lim’s deeply personal installation offers an exploration of vulnerability and resilience, complemented by Shane Keisuke Berkery’s paintings that contemplate the complexities of consciousness and memory. Amanda Cornish’s sculptural pieces embody a universal consciousness, while Vincenzo Muratore’s sculpture delves into the connections between science, psychology, and spirituality. KV Duong’s multi-disciplinary works challenge conventional methods, exploring themes of identity and access, while Sara Christova’s audio-visual performance projection, immerses viewers in alternative modes of perception and the possibilities of posthuman futures.