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Untitled

Overview

Innovative approaches to print

Key details

  • 180 credits
  • 1 year programme
  • Full-time study
School or Centre
Location
  • Battersea
Next open event
Round 1 application deadline
  • 13 Jan 2025

Understand print through making, exhibiting, publishing, discussion and writing.

  • Study a specialist programme that focuses on print and the technical image from the perspective of contemporary art practice
  • Learn from practising artists working in a wide range of media who share a fascination with the centrality of print in contemporary life
  • Visit exhibitions and archives across London to share experiences with your peers and explore the history and centrality of print

Print at the RCA is concerned with the rich cultural legacies of printed matter and how technically mediated images reshape our world. Our approach to print is expansive and innovative, reflecting the centrality of print within contemporary art and culture. Print is explored through making, engaging with archives and global media, and methods of presentation and publishing.

We welcome applicants from a diverse and broad range of backgrounds and art practices. We aim to foster your unique potential and help you thrive within a supportive environment.

Through workshops, artist’s talks, seminars and tutorials we help develop your skills in making, discussing and disseminating work.

Our position within this internationally renowned art school, and our unique London setting, provides a critical backdrop to explore the traditions and future potential of print.

Catch the replays from our latest online Open Day.

Gallery

Staff

Teaching staff are subject to change.

Facilities

The School of Arts & Humanities is located across our Battersea and Kensington sites.

View all facilities

All full-time students on fine or applied arts programmes are provided with studios or workspace, and access to specialist workshops. There are a number of bookable seminar and project spaces across the site available to all Arts & Humanities students.

  • Bindery in the Dyson Building

    Bindery in the Dyson Building

  • Working in the Print workshop (photo: Richard Haughton)

    Working in the Print workshop (photo: Richard Haughton)

  • Screenprint Workshop (photo: Richard Haughton)

    Screenprint Workshop (photo: Richard Haughton)

  • Print facilities (photo: Richard Haughton)

    Print facilities (photo: Richard Haughton)

More details on what you'll study.

Find out what you'll cover in this programme.

What you'll cover

Throughout your studies, you will debate questions of originality, authenticity, and value in the realm of multiplying images. You will navigate the intricate difference between hard copy and screen-based images, amidst discussions about NFTs as well as the role of social media.

Your work will be enhanced by access to well-equipped technical workshops although you will not be expected to develop new technical approaches. Rather, a key focus of your study will be to reflect on how technologies are used to communicate and distribute images, ideas and understandings.

Term 1

Orientation, Induction and Experimentation (45 credits)

We begin with the notion of orientation, a term originating from ‘orient’, ‘a person's basic attitude, beliefs, or feelings in relation to a particular subject or issue.’

  • Where do I begin?
  • What is my current practice/interest /skill set?
  • What interests me in the wider field?
  • What work by other artists/writers is relevant to my practice?
  • How do I describe/speak about what I do?

The programme will start with a series of orientation sessions and technical inductions. Seminars and external visits to exhibitions and archives will help you understand the expanded field of Print in the context of the broad field of contemporary art. You will be encouraged to experiment with new ways of making to challenge existing models of thinking and demonstrate this through studio practice.

Term 2

Development and Context (30 credits)

The aim of this unit is to focus on deepening an engagement with both producing work and through discussion, understanding the ways in which it might be read, displayed and contextualised. To this end the holding of a group exhibition/event, and a publication project give you deadlines and experience of professional contexts.

Urgency of the Arts - School-wide unit (15 credits)

In term 2, School of Arts and Humanities Masters’ students will participate in a School-wide unit called "The Urgency of the Arts." In this unit we ask how arts and humanities research and practice can engage with our current socio-political climate, and how might it shape, be necessary and essential in contemporary cultural debates.

The unit introduces you to a diverse range of perspectives, approaches and methods relevant to contemporary practice and thought in the arts and humanities. The delivery, predominantly based on workshops and featuring specialist presentations by leading artists, aims to assist you in recognizing, questioning, expanding, and reevaluating your own artistic practices and disciplinary assumptions. Through interactions with staff and students from across the School, as well as through a variety of methodological approaches, you will develop an understanding of the contemporary concerns that shape and influence artistic practice. You will be encouraged to reflect on these as a means to articulate the potential of your own work within the context of broad cultural landscapes and urgent cultural debates.

Terms 1&2

AcrossRCA - College-wide unit (15 credits)

Across terms 1 and 2, you will participate in AcrossRCA. This unit aims to support you to meet the challenges of a complex, uncertain and changing world by bringing you together to work collaboratively in cross-programme interdisciplinary teams. In your team you will develop a self-initiated themed project, informed by expertise within and beyond the College. These projects will challenge you to collectively use your intellect and imagination to address key cultural, social, environmental and economic challenges. In doing so, you will develop and reflect on the abilities required to translate knowledge into action, and help demonstrate the contribution that the creative arts can make to our understanding and experience of the world.

Term 3

Independent Research Project (60 credits)

The 60-credit Independent Research Project (IRP) is an opportunity to build a body of work that addresses the key ambitions of your research and practice. You will work towards presenting a work (or works) in the IRP Public Exhibition, which enables you to explore how you can activate your work in a public context, experiment with the most appropriate forms of realising your ideas and gain critical feedback. The IRP public event takes place during the unit and will be followed by a period of reflection and further development, which emphasises planning for continued practice and research post-graduation.

The IRP emphasises the sharing of work with an audience. The focus is on completing work which synthesises and builds on your studies in the previous two terms. You will be expected to make and exhibit in the context of a group exhibition. Most Print students would work in exhibition, though a few may choose publication as the principal form. You will have submitted a plan for your independent research project at the end of the second term based on the experience of the exhibition and publications projects in the Development and Context unit.

In the weeks after the public event you will be encouraged to build upon your practices, consolidating the skills you have developed across the year, both technical and conceptual. This will be in dialogue with tutors and technical staff helping you to realise ongoing works and the articulation of a professional identity as an artist, as you consider your practice looking forward. You will not be expected to develop new technical approaches but only build on skills gained where appropriate. This period will include opportunities to share work in progress and your plans for the future with peers, discussion of potential projects, publicising work and preparation for exhibitions and events outside the RCA timeline. Thinking ahead to accessing resources for artists and considering access to print facilities, this will be a period for reflection and preparation.

Download the Print Programme Specification 2024/25 (PDF)

AcrossRCA is a compulsory 30-credit unit which is delivered as part of all MA programmes.

Situated at the core of your RCA experience, this ambitious interdisciplinary College-wide unit supports you in responding to the challenges of complex, uncertain and changing physical and digital worlds. Developed in response to student feedback, AcrossRCA creates an exciting opportunity for you to collaborate meaningfully across programmes.

Challenging you to use your imagination and intellect to respond to urgent contemporary themes, this ambitious unit will provide you with the opportunity to:

  • make connections across disciplines
  • think critically about your creative practice
  • develop creative networks within and beyond the College
  • generate innovative responses to complex problems
  • reflect on how to propose ideas for positive change in local and/or global contexts

AcrossRCA launches with a series of presentations and panel discussions from acclaimed speakers who will introduce the themes and act as inspirational starting points for your collaborative team response.

Delivered online and in-person across two terms, the unit has been designed to complement your disciplinary studies and to provide you with a platform to thrive beyond graduation.

AcrossRCA

Requirements

What you need to know before you apply

Candidates are selected entirely on merit and applications are welcomed from all over the world. The selection process considers creativity, imagination and innovation as demonstrated in your portfolio, as well as your potential to benefit from the programme and to achieve high MA standards overall.

You’re expected to have completed a BA degree. In recent years, students have come from fine art, printmaking, painting, sculpture, photo media, conservation, illustration, design, textiles, architecture and interactive arts courses. While many students enter the course after years of independent work, we also accept students directly from undergraduate courses.

We are looking for candidates who are excited about the potential of engaging with the College-wide peer group, and making the most of the educational opportunities the Programme offers. You may not have made prints before but should have a keen interest in the nature of the multiplied image and the desire to investigate the ideas we engage with.

What's needed from you

The portfolio allows us to see your work and the interests you want to develop during the MA. Alongside applications working with Print Media, we have accepted people from all fine art disciplines, public art, design, illustration, literature, architecture or who have a practice developed in industry or independently. We want students who are interested in the multiplied image and how the translation of images into different materials/media and their distribution across different sites affects their meaning. We are not a course to simply learn techniques, so do not write at length about technical issues. However, digital technologies have changed how we think about and make images, and you may want to reference this as you write about the context for your work.

In this portfolio, please submit clear images of the work you have made. including title, date, media and size if appropriate.

You have five slots and each can accept up to four images. Do not overload the slots with too many images or complex PDFs. Be concise. You may use each slot to show how a work/project evolved from start to completion. Use all available slots and limit the time of moving image works to 2 minutes maximum.

We want to learn about:

  • The work: how you approach making and developing your work
  • The context: what ideas, issues, or themes you explore and what influences those interests. You may reference any influences related in some way to your work.

You'll need to upload a 300-word written personal statement about your motivation to study on the programme.

We ask that you upload a two-minute video recorded on your phone or laptop, speaking to us directly. High production qualities are not needed. We will review the work in your portfolio, so keep your video simple.

Use the video to share with us a response to the following. Print is an expansive field of activity, drawing on a wealth of historical, material, and conceptual positions, and embracing very different ways of thinking and making.

  • What excites you about exploring this field?
  • Choose an example from your portfolio which you consider your most successful work to date. You may choose to show documentation or point to actual works. Tell us why you feel it is successful and what choices you made technically and conceptually in creating it. We would prefer something self-initiated rather than a response to a brief, but this is not essential.
  • Tell us what work you wish to develop during your time at the RCA. What will you particularly bring to the programme? What do we need to know about you?

If you are not a national of a majority English-speaking country you will need the equivalent of an IELTS Academic or UKVI score of 6.5 with a 6.0 in the Test of Written English (TWE) and at least 5.5 in other skills. Students achieving a grade of at least 6.0, with a grade of 5.5 in the Test of Written English, may be eligible to take the College’s English for Academic Purposes course to enable them to reach the required standard.

You are exempt from this requirement if you have received a 2.1 degree or above from a university in a majority English-speaking nation within the last five years.

If you need a Student Visa to study at the RCA, you will also need to meet the Home Office’s minimum requirements for entry clearance.

Find out more about English-language requirements

Fees & funding

For this programme

Fees for new students

Fees for September 2025 entry on this programme are outlined below. From 2021 onward, EU students are classified as Overseas for tuition fee purposes.

Home
(subsidised)
£15,150 *
Overseas and EU
£37,000 *

Deposit

New entrants to the College will be required to pay a non-refundable deposit in order to secure their place. This will be offset against the tuition fees.

Home
£1,000
Overseas and EU
£2,000

Progression discount

For alumni and students who have completed an RCA Graduate Diploma and progress onto an RCA Master's programme – MA, MA/MSc, MFA, MDes, MArch, MEd or MRes – within 10 years, a progression discount of £1,000 is available.

* Total cost is based on the assumption that the programme is completed in the timeframe stated in the programme details. Additional study time may incur additional charges.

Scholarships

Scholarships

The RCA scholarship programme is growing, with hundreds of financial awards planned for the 2025/6 academic year.

For more information and examples of financial awards offered in 2024/25, visit the Scholarships & awards webpage.

You must hold an offer to study on an RCA programme in order to make a scholarship application in Spring 2025. A selection of RCA merit scholarships will also be awarded with programme offers. 

We strongly recommend that you apply for your programme as early as possible to stand the best chance of receiving a scholarship. You do not apply directly for individual awards; instead, you will be invited to apply once you have received an offer.

More information

Additional fees

In addition to your programme fees, please be aware that you may incur other additional costs associated with your study during your time at RCA. Additional costs can include purchases and services (without limitation): costs related to the purchase of books, paints, textiles, wood, metal, plastics and/or other materials in connection with your programme, services related to the use of printing and photocopying, lasercutting, 3D printing and CNC. Costs related to attending compulsory field trips, joining student and sport societies, and your Convocation (graduation) ceremony. 

If you wish to find out more about what type of additional costs you may incur while studying on your programme, please contact the Head of your Programme to discuss or ask at an online or in person Open Day.   

We provide the RCASHOP online, and at our Kensington and Battersea Campuses – this is open to students and staff of the Royal College of Art only to provide paid for materials to support your studies. 

We also provide support to our students who require financial assistance whilst studying, including a dedicated Materials Fund.

External funding

There are many funding sources, with some students securing scholarships and others saving money from working. It is impossible to list all the potential funding sources; however, the following information could be useful.

Payments

Tuition fees are due on the first day of the academic year and students are sent an invoice prior to beginning their studies. Payments can be made in advance, on registration or in two instalments.

Start your application

Change your life and be here in 2025. Applications now open.

The Royal College of Art welcomes applicants from all over the world.

Before you begin

1.
Make sure you've read and understood the entrance requirements and key dates
More information about eligibility and key dates
2.
Check you have all the information you need to apply.
Read our application process guide
3.
Consider attending an Open Day, or one of our portfolio or application advice sessions
See upcoming sessions
4.
Please note, all applications must be submitted by 12 noon on the given deadline.
Visit our applicant portal to get started

Ask a question

Get in touch if you’d like to find out more or have any questions.

Register your interest with us here
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